The Tomb of the Cybermen

The Cybermen are back, and this time in a completely original, never-before-seen story idea. The Doctor, along with Victoria and Jamie, lands on the planet Telos, where an archeological expedition from Earth is in full swing to find the remains of the Cybermen and their civilization. This story succeeds, I feel, because it's absolutely nothing like each of the previous cybermen tales. In both "The Tenth Planet" and "The Moonbase", the base in under siege, and the plot progression is pretty similar. Here, they uncover the tombs, and it is revealed that two of the expedition members: Klieg and Kaftan are looking to ally with the cybermen.

It's an interesting setting for a serial, tombs, in a dead city, but it's extremely well put together, with great sets, an amazing cast, and a superb plot. Every cast member has a story to tell, and in the four episodes, there is a perfect balance between action and exposition. I only wish we could have seen more of the cybermen city, instead of being limited to an entrance hall, the tomb, and one or two other unimportant rooms.

The cybermen themselves have once again been redesigned: with futuristic voice effects and now being led by a cyber controller.

Eventually, Klieg and Kaftan get what they deserve, although too many lives are lost in the process. The Doctor reseals the tomb, and locks the doors to the city, but not before a mouse-like cybermat escapes to the open.

The Evil of the Daleks

Patrick Troughton's final adventure in his first season is, in my opinion, the wildest and most extravagant yet. Not only is it set in three completely different areas, it's also filled with some massive sets, location shooting, and lots of explosions.

Basically, when the Doctor and Jamie return to the TARDIS in the airport, they find that someone's stolen it, and a trail has been left for the Doctor to an antique shop, where the owner:  Mr. Waterfield, has been traveling in time back to the victorian era. Taking the Doctor and Jamie back with him, he and his friend Maxtible explain that they were forced to by the Daleks. The Daleks want the Doctor to figure out what makes the humans defeat the daleks all the time, and to do so, he must use Jamie in an experiment. The Doctor willingly proceeds but is deceived as the Daleks take his calculations and formula and reverse them. They then follow the Daleks back to Skaro in order to stop them from using 'the Dalek factor' on all of humankind.

It's complicated, yes, and it is quite a large expansive plot, but it is executed perfectly. Fast paced and filled with suspense, danger, and character, there is pretty much nothing to fault at all. From the start, you can see the story looks great and is acted brilliantly. The modern day guest stars are brilliant, and the victorian actors are as well. Waterfield expertly conveys a man under pressure, and Maxtible's got the mad scientist look and voice perfectly. Victoria Waterfield is great too, and there's a lovely subplot involving Kemel, a jamaican slave, having feelings for her. It's believable, as is the bond between Jamie and Kemel.

The Doctor however, shows a different kind of acting towards his companion. Here, he plays the audience into questioning his allegiances and friends, all while having great fun doing so. It's a testimonial to Troughton's skill that he can go from being delighted and enthralled by a tune on his recorder to being dark, serious, and scarily morbid about a situation or subject.

I could go on for hours, days even, on "The Evil of the Daleks"; there's simply so much to write about and discuss, and there are so many interesting themes, from slavery and the class system, to friendship, obedience, and despair. It doesn't get much better than this.

As an afterthought, I'd like to add that the human Daleks are hilarious and a delight to watch.

The Faceless Ones

And now on to one of my favourite Troughton adventures: "The Faceless Ones". The TARDIS materializes in the middle of Gatwick airport where Polly witnesses a murder. It transpires that Chameleon Tours, a seemingly normal company, is kidnapping their passengers and transferring their body shapes to their own bodies.

The Doctor and Jamie are the real stars here, and they bond over this story, solving the mystery and convincing the airport staff that they are telling the truth. The serial turns out to be fast paced, quite dark, with some great plot twists, and the story moving on at the perfect speed. Never a boring moment, and with some great location work. The shots of Gatwick really give this story scope and a sense of importance.

The sets and costumes are good too. Captain Blade and the other Chameleon crew are all dressed immaculately, and the commandant's costume helps show his character. Samantha also is interesting, with her 'regional' accent and modern dress sense. The sets themselves look the part, from the airport hangars to the immigration desks. Even the Chameleon Tours aeroplane interior looks authentic for the small amount of screen-time it receives. 

After a gripping adventure and an exciting end, the commandant gives the Doctor back his TARDIS, before Ben and Polly decide to leave the Doctor and get on with their lives. Sadly, Jamie accompanies the Doctor over to the TARDIS, where upon close inspection, it isn't the TARDIS at all, but just a plain old Police Box. The TARDIS has been stolen!

The Macra Terror

The Macra Terror sees the Doctor, Ben, Polly, and Jamie arrive on an unnamed planet where an insane man claims to have seen the Macra, crab-like creatures everyone else says don't exist. The Doctor believes the man, and soon sees a Macra for himself. It becomes apparent that the Controller of the planet has hypnotised everyone else in the Colony to obey commands and believe that the Macra don't exist. Ben succombs to the hypnotism and lands his companions in trouble for their meddling. Sent to work in the mines, mining for poisonous gas, they discover that the Macra are in control of the leaders of the Colony and need the gas to survive. The unearth the Macra, free the population, and leave before they can be congratulated.

The officials: Ola, and the Pilot, are great characters with some great lines, and with them, the plot moves quickly along, with never a boring moment. It's important that it does this, or you might notice that the Macra don't have that much to do with the serial at all, the plot instead revolving around overthrowing the hypnotism and freeing everything.

Therefore, it isn't as you'd expect, and could have been a lot scarier and interesting.

The Moonbase

The Moonbase is one of my favourite early Doctor Who serials. In my opinion, it's the best 1960's Cybermen story, and it's a great pity two of the four episodes are missing.

The TARDIS crew land on the moon, where a team of scientists operate the Gravitron, a giant machine that can control the Earth's weather. But, soon, people start falling ill and it's revealed that the cybermen are to blame. They want to use the Gravitron to wipe out humanity and things are looking bleak.

This is certainly an action-oriented serial: perhaps the first of it's kind, and it's brilliant. The sets are limited but the cast is great, and it's got the right amount of plot, action, and scary moments to make a great story.

The characters of Hobson and Polly shine in this story, and it's just a pity that Jamie spends the first three episodes lying in bed moaning about an old Scottish legend. Once he gets involved in the story though, he does it with gusto and The Moonbase is better for it.

Finally, the cybermen are the scary monsters they're supposed to be, with a much improved look and better voices. Luckily, this style of cyberman continues to be used for quite a while to come.

The Underwater Menace

The TARDIS lands in sunken Atlantis in this serial, and almost straight away, the regulars are separated: Polly being taken for a horrendous operation, Ben and Jamie being taken to work in the mines, and the Doctor gone to visit Professor Zaroff. Zaroff is revealed to be the mad scientist in charge of 'raising Atlantis' and is looked up to by the entire nation. However, it is soon revealed that Zaroff actually wants to destroy Atlantis and so the reunited regulars along with a good supporting cast set out to stop him.

The plot in The Underwater Menace might be a bit odd, but I find that it's paced well and is structured cleverly, so you never get bored. The excitement build as the story progresses, with lots of running around Atlantis and some fight scenes to boot. The story is quite complex though, and requires four locals to help the Doctor beat Zaroff. Sean and Jacko are an entertaining double act, and Rano also brings joy to the screen.

You really can tell the actors are enjoying themselves making this. Zaroff's german accent is strong all the way through, sometimes providing slight comedic moments in an otherwise completely serious serial. The plot and acting is serious, but unfortunately, the costumes aren't. 

While it would have been great joy to work on costumes for a serial like this, the results are unique, but sadly, way over the top. Corral headdresses, clothes made from sea plants, and religious masks in the shape of paralyzed goldfish don't convey seriousness. Also to fault are the fish slaves.  The eye pieces look silly and the costumes are just odd. The silent acting is a joke.

However, it's a pretty enjoyable tale. Good action, a great villain and cast, and an excellent script are plagued by hideous costumes and the set pieces leave a lot to be desired. Nevertheless, it works well and it's a pity three episodes are currently not in the BBC archive.

The Highlanders

The Highlanders is important in the history of Doctor Who as it was the last historical adventure the Doctor would go on until Black Orchid in the 1980s. And the last historical holds up well, in comparison to others.

Unlike some of the other historicals, The Highlanders doesn't move at an extremely slow pace nor does it get boring and tedious. The plot keeps moving, as the Doctor, Ben, and local Jamie are held captive by english soldiers, before being sent off to Inverness where they'll be sold to the slave trade. Polly, on the other hand, escapes and sets out to rescue them.

The entire supporting cast are brilliant, from the scottish Laird to the english lieuftenants. Jamie stands out however as he plays his part well and gels with the Doctor and Ben. A good thing too, as he's about to join the TARDIS crew.

After freeing all the captured scots from the slave ship, the ship sails for France so the scots can escape the war, and Jamie leads the Doctor, Ben, and Polly back to the TARDIS and onwards to another adventure.

The Power of the Daleks

So Patrick Troughton is the Doctor's new body, and he's lovable and insane. His recorder playing in the first episode is hilarious and serves as a lightweight introduction to his character before the main plot gets going.

The Doctor gets involved in a struggle of power between the citizens of Vulcan and rebels. However, one of the government's scientists has found a capsule in a swamp, which contains old, deactivated Daleks. After reviving them, they plot to overthrow both the Rebels and the Guards, and the serial ends in a climactic duel.

I must say, this has been one of my favourite serials so far. The Doctor is on top-form, the Daleks are great, and the characters of Bragen, Lesterson, and Henshall are all great to watch. Complementing them is a fast-paced plot which is more action orientated than previous stories have been, and this is a breath of fresh air.

Did I mention the Daleks are back? They're scary, and it's even more scary to see Daleks pretending to be under human control but actually plotting themselves. It's gripping stuff.

Overall, a great serial for the introduction of Patrick Troughton, and the story is insightful as to the direction Doctor Who is taking.

Whatever Happened to Susan Foreman?

This radio one-off comedy was a pseudo-documentary about Susan's life after she departed the TARDIS. It's pretty accurate in terms of continuity but does reveal some amusing snippets about life on Gallifrey and her Grandfather's past. It's pretty funny for Doctor Who fans, especially all the parts about the Doctor retiring from a career selling 'imaginative ideas and concepts' in a small shop to travel in time and space.

Also explained in the programme is how Susan returned to present day Earth by phoning up her godfather to pick her up next time he was passing by in the space time continuum. It's all quite amusing, and contributions from Ian Chesterton (who has suffered time-lag and amnesia) help add even more humour to the story.

It's all quite lighthearted fun and I enjoyed it more and more as the half-an-hour programme progressed.

The Tenth Planet

So, it's time for William Hartnell's last story, and it really is very good. The TARDIS crew land in Antartica in a space rocket facility. Soon after their arrival, a planet appears in the sky and natives of the planet, called the cybermen, descend upon Earth, planning to 'refuel' their planet Mondas with all life and energy on Earth.

The cybermen here make fantastic villains, despite their atrocious costumes. The voices are chilling and it's unfortunate you don't see more of them in this serial. Also, the characters of Barclay and Cutler are good, with Cutler making for a good anti-hero. He means well, but you feel quite happy when he's shot dead.

Obviously, the most important part of this story is what happens at the end, and the regeneration is foreshadowed in episode three when the Doctor falls ill. Knowing about regeneration before watching this takes all of the surprise out of the moment, but I imagine that not knowing what's wrong with the Doctor would be quite worrying and the actual regeneration would leave people confused as to what's happening.

In order to explain this miraculous event, we have to move on to the next story, but not before clearing up one or two pieces of spin off media that take place during Hartnell's tenure as the Doctor.

The Smugglers

Well, it's been a long time since I last watched a serial in this marathon of mine. However, today I finally read through "The Smugglers" and I must say, I'm somewhat disappointed.

The most important thing that happens in this story is the introduction of Ben and Polly as companions. While I thought Ben and Polly would be good companions to the Doctor at the end of the last serial, here I found Ben irritating and Polly a little underused. From the start, Ben was shown to be cocky, arrogant, and a rather unlikeable fellow.

Plotwise, I found this serial difficult to follow, with too many smuggling rings, smugglers, plot threads, and double-crossing to be effective. It's alright at the beginning, but by the time I got to the final battle in the graveyard, I just couldn't be bothered with this serial any longer and just wished it would end quickly.

The War Machines

"The War Machines" was a serial I particularly enjoyed. It's good after such a long time away, to finally spend an entire story on contemporary Earth, and it's brilliant. The characters of Polly and Ben make great additions to the cast, and really add a modern, forward-thinking feel to the programme.

The concept is a little dated now though, the computer is a little silly now, and the war machine itself is massive and clunky. Impressive, yes. Well-built, yes. But easy to make look threatening? Definitely not; especially as it bumps into something every time it attempts to move.

That said, I think this story is pretty good, with the characters of Sir Charles, the tramp, and the sergeant proving most interesting to watch and enjoy. But, on the other hand, Professor Brett and Wotan make terrible villains and I'm glad we don't see more of them than we do. Also, I'm glad that Dodo has finally 'gone' and I don't mind that she didn't get a great goodbye scene as Polly and Ben make up for that.

One more thing: even if William Hartnell was becoming unwell round about now, I didn't notice it on-screen. His character still commanded authority and I thought that in this serial in particular, I thought he was great.

The Savages

I must say, I really enjoyed this serial. It was something quite a bit different in comparison with the Celestial Toymaker and the Gunfighters. The Doctor and companions land on an unnamed planet in the future, where sophisticated humans living in the glorious city are using lesser humans from outside in the wild to fuel their existence. The Doctor vows to put a stop to this, and while Steven and Dodo make friends with the Savages, he is drained of his life energy which is given to the leader of the city: Jano. Jano inherits the Doctor's consciousness and smashes up the equipment used for suffering, and Steven departs the TARDIS to oversee the reconstruction of the civilization. 

You really feel sorry for the Savage humans in this story, they lead terrible lives of fear and repression, and this serial highlights the wonders the Doctor does for those who deserve them. Meanwhile, the city itself is rather impressive, and the first episode shows that the majority of it's people are simple; the two guides that show Steven and Dodo around appear to be very nice and pleasant people, whose only faults are that of their leaders who allow the cruelty to continue.

I think the plot is rather ingenious and well-thought-out in terms of how it is paced. Each character is given decent screen time and the departure of Steven is dealt with in such a way as to leave a huge smile on my face as the TARDIS dematerializes at the end of the serial. With this great story straight after another, and, in my opinion, William Hartnell doing so well as the Doctor, it's strange to think he only has a few more serials to go before his time is up.

The Gunfighters

It's time for another historical and this time, the Doctor, Dodo, and Steven visit the wild west. Soon after they arrive, they are caught up between a gang of cowboys and the local law-enforcers. As the plot unfolds, you begin to care for the good characters and mourn for the deaths of large amounts of them.

For the first episode or two, I thought that this was just another normal serial, with nothing special to it's name, but as the story drew close (no pun intended) to it's climax, I realised how much I enjoyed the characterizations of Wyatt, Kate, and Johnny Ringo in particular. Charlie the barman was the highlight of the serial for me, his humour and sad death shows the viewers how dangerous life really was back then.

Another interesting thing about this story to note is how Guns are forced upon the Doctor many times in the four episodes, and it's quite funny to notice the Doctor's reaction. Overall, this has been one of my favourite serials so far in my marathon, once you get into it. The opening episodes are a bit dull and clichéd but after they're over, it's a brilliant tale.

The Celestial Toymaker

The Celestial Toymaker is one of those extremely random serials which makes little sense. I have no idea who the Toymaker is supposed to be, how he accomplishes his evil deeds, what his motives are, or how he knows the Doctor. Nevertheless, I enjoyed this story immensely, despite it not making much sense. Basically, the Doctor is separated from Steven and Dodo, is made invisible and mute, and has to complete the Trilogic game (a board game) in exactly 1023 moves at a sufficient pace. Meanwhile, Steven and Dodo have to fight their way through a set of continuous games including Blind Man's Bluff, and Hunt the Thimble in order to win back the TARDIS.

These games don't sound so bad, but they're all scaled up to life-or-death experiences which makes it all the more interesting. The characters which Steven and Dodo play against are all pretty insane and interesting, especially Cyril the annoying and arrogant Schoolboy who makes up the rules as he goes along. You really share our heroes' annoyance for the character, and you want to push him on to the electrocuted floor (which he does himself in the end anyway, so it's not all bad).

The set design is unique, but suffers due to the show's budget. It could have been spectacular but turned out adequate only. The Doctor is again missed, but Steven and Dodo make up for that. The Toymaker is an interesting character although not much is revealed about him, and overall, this is one of my favourite Season Three serials so far.

The Ark

So after the historical adventures of "The Massacre" and the introduction of new companion Dodo, the TARDIS lands on a spaceship taking the last survivors of Earth to a new planet, along with the Monoids, a race of cyclops who are much more intelligent than they look.

The story is split into two sections which is pretty interesting: the first is about Dodo giving a cold to all the people onboard the Ark, which the Doctor then cures, and the second deals with the Ark at the end of it's voyage and the Monoids' enslavement of the remaining humans.

In the first half of the story, you feel sorry for the Monoids and the humans are the villains, and this concept is reversed for the second part of this serial, which shows the good and bad sides of all races. The climactic battle is interesting, and the final scene of the Doctor disappearing links in with the next serial: "The Celestial Toymaker".

The Massacre

So I finally got round to watching (or reading in this case) the next adventure for the Doctor and Steven. Once again, the TARDIS lands in historical France, and Steven gets involved in an intricate murder plot and religious war between the Catholics and the Protestants. Unfortunately, while I assume this serial is quite accurate historically, religion nor any of it's aspects interest me in the slightest, and so I did not find this story very engaging.

The Doctor himself is missed throughout most of the story, and the only thing I found interesting is the introduction of Dodo, a new TARDIS crew member. The girl the Doctor told to stay indoors survived the massacre and now her great granddaughter has joined the TARDIS crew. We are left feeling quite happy after an intense moment of Steven wanting to leave the TARDIS for good.

With two companions in the TARDIS once again, we move onwards to the next great adventure...

The Daleks' Master Plan (Episodes 7-12)

The second half of this serial is a lot better than the first, in my opinion. However, the Feast of Steven is a bit of a wasted episode, as nothing important happens in that episode, it just serves the purpose of wishing all the viewers a merry christmas.

I can't really think of much else to say about this story except that it really is epic, and features some great moments, such as the confrontations between the monk and the doctor in Egypt and the thrilling conclusion.

Roll on the Massacre!

The Daleks' Master Plan (Episodes 1-6)

It's been a while since I last watched a story in my Doctor Who marathon. However, I've decided to get going again and continue from where I left off. I'd stopped after episode five of this story in October, so some aspects of it are a little foggy in my mind.

I enjoyed this immensely, which the characters of Mavic Chen and Bret Vyon being some of the best single-story characters yet. The death of Katarina is a powerful moment as it shows the Doctors do not always win confrontations.

I felt that the story was just about to kick off at this point, so I'll save the rest for the second part of this story review.