The Tomb of the Cybermen

The Cybermen are back, and this time in a completely original, never-before-seen story idea. The Doctor, along with Victoria and Jamie, lands on the planet Telos, where an archeological expedition from Earth is in full swing to find the remains of the Cybermen and their civilization. This story succeeds, I feel, because it's absolutely nothing like each of the previous cybermen tales. In both "The Tenth Planet" and "The Moonbase", the base in under siege, and the plot progression is pretty similar. Here, they uncover the tombs, and it is revealed that two of the expedition members: Klieg and Kaftan are looking to ally with the cybermen.

It's an interesting setting for a serial, tombs, in a dead city, but it's extremely well put together, with great sets, an amazing cast, and a superb plot. Every cast member has a story to tell, and in the four episodes, there is a perfect balance between action and exposition. I only wish we could have seen more of the cybermen city, instead of being limited to an entrance hall, the tomb, and one or two other unimportant rooms.

The cybermen themselves have once again been redesigned: with futuristic voice effects and now being led by a cyber controller.

Eventually, Klieg and Kaftan get what they deserve, although too many lives are lost in the process. The Doctor reseals the tomb, and locks the doors to the city, but not before a mouse-like cybermat escapes to the open.

The Evil of the Daleks

Patrick Troughton's final adventure in his first season is, in my opinion, the wildest and most extravagant yet. Not only is it set in three completely different areas, it's also filled with some massive sets, location shooting, and lots of explosions.

Basically, when the Doctor and Jamie return to the TARDIS in the airport, they find that someone's stolen it, and a trail has been left for the Doctor to an antique shop, where the owner:  Mr. Waterfield, has been traveling in time back to the victorian era. Taking the Doctor and Jamie back with him, he and his friend Maxtible explain that they were forced to by the Daleks. The Daleks want the Doctor to figure out what makes the humans defeat the daleks all the time, and to do so, he must use Jamie in an experiment. The Doctor willingly proceeds but is deceived as the Daleks take his calculations and formula and reverse them. They then follow the Daleks back to Skaro in order to stop them from using 'the Dalek factor' on all of humankind.

It's complicated, yes, and it is quite a large expansive plot, but it is executed perfectly. Fast paced and filled with suspense, danger, and character, there is pretty much nothing to fault at all. From the start, you can see the story looks great and is acted brilliantly. The modern day guest stars are brilliant, and the victorian actors are as well. Waterfield expertly conveys a man under pressure, and Maxtible's got the mad scientist look and voice perfectly. Victoria Waterfield is great too, and there's a lovely subplot involving Kemel, a jamaican slave, having feelings for her. It's believable, as is the bond between Jamie and Kemel.

The Doctor however, shows a different kind of acting towards his companion. Here, he plays the audience into questioning his allegiances and friends, all while having great fun doing so. It's a testimonial to Troughton's skill that he can go from being delighted and enthralled by a tune on his recorder to being dark, serious, and scarily morbid about a situation or subject.

I could go on for hours, days even, on "The Evil of the Daleks"; there's simply so much to write about and discuss, and there are so many interesting themes, from slavery and the class system, to friendship, obedience, and despair. It doesn't get much better than this.

As an afterthought, I'd like to add that the human Daleks are hilarious and a delight to watch.

The Faceless Ones

And now on to one of my favourite Troughton adventures: "The Faceless Ones". The TARDIS materializes in the middle of Gatwick airport where Polly witnesses a murder. It transpires that Chameleon Tours, a seemingly normal company, is kidnapping their passengers and transferring their body shapes to their own bodies.

The Doctor and Jamie are the real stars here, and they bond over this story, solving the mystery and convincing the airport staff that they are telling the truth. The serial turns out to be fast paced, quite dark, with some great plot twists, and the story moving on at the perfect speed. Never a boring moment, and with some great location work. The shots of Gatwick really give this story scope and a sense of importance.

The sets and costumes are good too. Captain Blade and the other Chameleon crew are all dressed immaculately, and the commandant's costume helps show his character. Samantha also is interesting, with her 'regional' accent and modern dress sense. The sets themselves look the part, from the airport hangars to the immigration desks. Even the Chameleon Tours aeroplane interior looks authentic for the small amount of screen-time it receives. 

After a gripping adventure and an exciting end, the commandant gives the Doctor back his TARDIS, before Ben and Polly decide to leave the Doctor and get on with their lives. Sadly, Jamie accompanies the Doctor over to the TARDIS, where upon close inspection, it isn't the TARDIS at all, but just a plain old Police Box. The TARDIS has been stolen!

The Macra Terror

The Macra Terror sees the Doctor, Ben, Polly, and Jamie arrive on an unnamed planet where an insane man claims to have seen the Macra, crab-like creatures everyone else says don't exist. The Doctor believes the man, and soon sees a Macra for himself. It becomes apparent that the Controller of the planet has hypnotised everyone else in the Colony to obey commands and believe that the Macra don't exist. Ben succombs to the hypnotism and lands his companions in trouble for their meddling. Sent to work in the mines, mining for poisonous gas, they discover that the Macra are in control of the leaders of the Colony and need the gas to survive. The unearth the Macra, free the population, and leave before they can be congratulated.

The officials: Ola, and the Pilot, are great characters with some great lines, and with them, the plot moves quickly along, with never a boring moment. It's important that it does this, or you might notice that the Macra don't have that much to do with the serial at all, the plot instead revolving around overthrowing the hypnotism and freeing everything.

Therefore, it isn't as you'd expect, and could have been a lot scarier and interesting.

The Moonbase

The Moonbase is one of my favourite early Doctor Who serials. In my opinion, it's the best 1960's Cybermen story, and it's a great pity two of the four episodes are missing.

The TARDIS crew land on the moon, where a team of scientists operate the Gravitron, a giant machine that can control the Earth's weather. But, soon, people start falling ill and it's revealed that the cybermen are to blame. They want to use the Gravitron to wipe out humanity and things are looking bleak.

This is certainly an action-oriented serial: perhaps the first of it's kind, and it's brilliant. The sets are limited but the cast is great, and it's got the right amount of plot, action, and scary moments to make a great story.

The characters of Hobson and Polly shine in this story, and it's just a pity that Jamie spends the first three episodes lying in bed moaning about an old Scottish legend. Once he gets involved in the story though, he does it with gusto and The Moonbase is better for it.

Finally, the cybermen are the scary monsters they're supposed to be, with a much improved look and better voices. Luckily, this style of cyberman continues to be used for quite a while to come.

The Underwater Menace

The TARDIS lands in sunken Atlantis in this serial, and almost straight away, the regulars are separated: Polly being taken for a horrendous operation, Ben and Jamie being taken to work in the mines, and the Doctor gone to visit Professor Zaroff. Zaroff is revealed to be the mad scientist in charge of 'raising Atlantis' and is looked up to by the entire nation. However, it is soon revealed that Zaroff actually wants to destroy Atlantis and so the reunited regulars along with a good supporting cast set out to stop him.

The plot in The Underwater Menace might be a bit odd, but I find that it's paced well and is structured cleverly, so you never get bored. The excitement build as the story progresses, with lots of running around Atlantis and some fight scenes to boot. The story is quite complex though, and requires four locals to help the Doctor beat Zaroff. Sean and Jacko are an entertaining double act, and Rano also brings joy to the screen.

You really can tell the actors are enjoying themselves making this. Zaroff's german accent is strong all the way through, sometimes providing slight comedic moments in an otherwise completely serious serial. The plot and acting is serious, but unfortunately, the costumes aren't. 

While it would have been great joy to work on costumes for a serial like this, the results are unique, but sadly, way over the top. Corral headdresses, clothes made from sea plants, and religious masks in the shape of paralyzed goldfish don't convey seriousness. Also to fault are the fish slaves.  The eye pieces look silly and the costumes are just odd. The silent acting is a joke.

However, it's a pretty enjoyable tale. Good action, a great villain and cast, and an excellent script are plagued by hideous costumes and the set pieces leave a lot to be desired. Nevertheless, it works well and it's a pity three episodes are currently not in the BBC archive.

The Highlanders

The Highlanders is important in the history of Doctor Who as it was the last historical adventure the Doctor would go on until Black Orchid in the 1980s. And the last historical holds up well, in comparison to others.

Unlike some of the other historicals, The Highlanders doesn't move at an extremely slow pace nor does it get boring and tedious. The plot keeps moving, as the Doctor, Ben, and local Jamie are held captive by english soldiers, before being sent off to Inverness where they'll be sold to the slave trade. Polly, on the other hand, escapes and sets out to rescue them.

The entire supporting cast are brilliant, from the scottish Laird to the english lieuftenants. Jamie stands out however as he plays his part well and gels with the Doctor and Ben. A good thing too, as he's about to join the TARDIS crew.

After freeing all the captured scots from the slave ship, the ship sails for France so the scots can escape the war, and Jamie leads the Doctor, Ben, and Polly back to the TARDIS and onwards to another adventure.